By Duchamp, Marcel; Moffitt, John Francis; Duchamp, Marcel
A desirable e-book demonstrating the effect of alchemy and esoteric traditions at the mature artwork of Marcel Duchamp
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Extra info for Alchemist of the avant-garde : the case of Marcel Duchamp
According to Aurier’s emphatic conclusion, “the task of the artist, whose eye is able to distinguish essences from tangible objects, . . ” To be a modern primitivist you certainly need not merely ape tribal art ransacked from the French colonies. Aurier is talking about the idea of the primordial, or primitivist attitudes, and not necessarily about any particular art-historical forms. ” And just what is it that lies beyond this abstract signiﬁcance? Obviously, it is that Ancient Wisdom which has always been available to the uniquely enlightened.
Genius is judged by the tribunal of mediocrity,” Lévi laments, “and this judgment is without appeal, because, being the light of the world, Genius is accounted as a thing that is null and dead whenever it ceases to enlighten. The ecstasy of the Poet is controlled by the indifference of the prosaic multitude, and every enthusiast who is rejected by general good sense is a fool and not a genius. ”59 Whatever its many names, the Occultist viewpoint typically represents an elitist, highly privileged, antidemocratic spiritual vision.
Since men and women are created by sexual means, then it logically follows that the sex act—the microcosmic image of Creation— is both a divine sign and a gift from On High (au delà in the terminology of modern French esotericism). As an attribute of the Divine, neatly dividing itself into Male and Female components, conjoined Sex/Creation represents Harmony and Perfection. In the sex act, a coniunctio oppositorum, the male supposedly achieves his own inherently female nature and thus becomes symbolically androgynous, transmuted into one ﬂesh, and thus made whole.
Alchemist of the avant-garde : the case of Marcel Duchamp by Duchamp, Marcel; Moffitt, John Francis; Duchamp, Marcel